THE OTHRE SIDE

Arno is aware that a volume is revealed by the void, but also that that the volume exists through its dialogue with space that it allows to redefine. Arno places a hole in some of his works to play with the curiosity that compels us to look through the hole to rediscover and reconsider the space. “Placing a point on something is to sensitize us to that ‘here and now.’” Renaud Ego

OISEAU (BIRD) . 20 x 18 cm - Carrara marble and black aluminum base - 2004.

MAPPA - 50 x 33 x 19 - painted wood - 2022


UNION II . 176 x 50 x 50 cm - Glass, paint and burnt wood - 2019

BLUR POSITIF (POSITIVE BLUR) . H 20 cm - Glass and resin - 2019

CONVERSATION . 50 x 30 x 14 cm - Painted wood and steel - 2019

LE GUETTEUR (THE VOYEUR) . 68 x 40 x 25 cm - Wood, graphite and brass base - 2004

SANCHO PANSA . 53 x 55 x 28 cm - Marble of carrara and wood - 2019

BLUR NEGATIF (NEGATIVE BLUR) . H 20 cm - Glass and marble - 2019

LE CRI (THE CRY) . 43 x 34 x 12 cm - Carrara marble and wood - 2019

BLUR NEGATIF (NEGATIVE BLUR) . H 20 cm - Glass and marble - 2019 (detailed)

UNION I . 90 x 19 x 20 cm - Glass, paint and burnt wood - 2019

COQ (ROOSTER) . 50 x 40 x 25 cm - Wood, graphite and brass base - 2015

GRADIENT SHAPE . 50 X 15 X 10 cm - Iron graphite and gold - 2021

LE GUETTEUR (THE VOYEUR) . 68 x 40 x 25 cm - Wood, graphite and brass base - 2004

CONVERSATION . 50 x 30 x 14 cm - Painted wood and steel - 2019

NODDING . 50 x 35 x 25 cm - Glass and wood - 2019


LE CRI (THE CRY) . 43 x 34 x 12 cm - Carrara marble and wood - 2019

COQ (ROOSTER) . 50 x 40 x 25 cm - Wood, graphite and brass base - 2015

contact

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